Interrupters, The - "Fight The Good Fight" - CD
16,00 €
Com IVA
Fight the Good Fight, the third studio album from Los Angeles ska-punk band The Interrupters, is available now via Hellcat Records.
Fight the Good Fight was produced by longtime collaborator, Rancid frontman, and Grammy Award-winning producer Tim Armstrong with the band at Ship-Rec Recorders in Los Angeles.
The album was mixed by Grammy-award winning mixer Tom Lord-Alge (Blink-182, Fall Out Boy, Weezer)
The follow-up to 2015’s Say It Out Loud, Fight the Good Fight finds The Interrupters delivering their two-tone-inspired,powerfully melodic, punk-fueled sound with more vitality than ever before.
With Armstrong and Alge at the helm, Aimee and the Bivona brothers channeled the raw energy of their lives shows by recording almost entirely to tape. “There’s a certain feeling you get from that process that you can’t really get digitally,” says guitarist Kevin. “There’s no overthinking anything—everyone’s got to be fully present and committed. It was definitely high-pressure, but also really fun.”
Politica de Segurança
Politica de Envio
Politica de Devolução
1. Title Holder
2. So Wrong
3. She's Kerosene
4. Leap of Faith Lyrics
5. Got Each Other
6. Broken World
7. Gave You Everything
8. Not Personal
9. Outrage
10. Rumors and Gossip
11. Be Gone
12. Room With a View
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Fight the Good Fight, the third studio album from Los Angeles ska-punk band The Interrupters, is available now via Hellcat Records.
Fight the Good Fight was produced by longtime collaborator, Rancid frontman, and Grammy Award-winning producer Tim Armstrong with the band at Ship-Rec Recorders in Los Angeles.
The album was mixed by Grammy-award winning mixer Tom Lord-Alge (Blink-182, Fall Out Boy, Weezer)
The follow-up to 2015’s Say It Out Loud, Fight the Good Fight finds The Interrupters delivering their two-tone-inspired,powerfully melodic, punk-fueled sound with more vitality than ever before.
With Armstrong and Alge at the helm, Aimee and the Bivona brothers channeled the raw energy of their lives shows by recording almost entirely to tape. “There’s a certain feeling you get from that process that you can’t really get digitally,” says guitarist Kevin. “There’s no overthinking anything—everyone’s got to be fully present and committed. It was definitely high-pressure, but also really fun.”